“A question that sometimes drives me hazy: am I or are the others crazy?” ~ Albert Einstein

Questions, Questions are good, The quote was that he who ask no question stay dumb for ever. I agree, but what you do when people ask dumb questions. I believe the proverb was No questions are stupid, but he who never ask stay stupid for ever. I agree BOSS. I am with you..but what you do when someone walk into your desk and ask these below question.


1. What do you say success in English? arrey, wohi success , usko English mein kiya bolte hai hum?
2. What you say "Sakh" in hindi?? Suspect, sakh..usko hindi mein kiya bolte hai?
3.  07-august-2010 is cut-off date of the release, so what should be the last date for the release?
4.  How you start these batteries? ..( Hello nuts, you can start that mobile , not those batteries") 
5. After buying Cigarette, he was asking the shopkeeper, "Can I Smoke?"  


PEACE...PEACE...PEACE...PEACE...PEACE...PEACE...PEACE...PEACE...PEACE...PEACE...PEACE...
Stay Calm...Stay Calm...Stay Calm...Stay Calm...Stay Calm...Stay Calm...Stay Calm...Stay Calm...

Allie tells Noah that when she dies, she wants to turn into a bird and fly. Romance soon blossoms after they see each other at the movies and the two become inseparable.

Allie's family leaves Seabrook the next day and Noah, devastated by their separation, writes her one letter every day for a year plus one extra letter saying goodbye. He never hears back from Allie because her mother hides the letters and keeps them secret.


While in college, Allie volunteers as a nurse's aide for wounded soldiers and meets the injured Lon Hammond, Jr., a wealthy and well-connected young lawyer who is handsome, sophisticated, charming, and comes from an old Southern family. To the joy of Allie's parents, they become engaged; meanwhile, Noah returns home. While visiting Charleston to file some paperwork, Noah witnesses Allie and Lon kissing at a restaurant. Devastated, Noah is consumed with restoring the old abandoned house from their summer together, believing that if he keeps his promise to her (building her her dream house on the plantation), Allie will come back to him. Once he is finished, Noah tries to sell the plantation, but finds he cannot part with it.


In the present, it is made evident that the elderly woman is Allie and Noah is her husband. She does not recognize their children and grandchildren, who beg Noah to come home with them. Noah insists on staying with his wife, refusing to abandon her.


After finding out about her impending illness, she wrote their story in the notebook with instructions for Noah inside: "The story of our lives, by Allie Calhoun. Read this to me, and I'll come back to you." 


The next morning, Noah is found unconscious in bed and he is rushed to the hospital; he later returns to the nursing home's intensive care ward. He goes to Allie's room later that night, and Allie remembers who they are. She asks him if he thinks their love can make miracles, and he says that miracles are what brought her back to him every time. She then asks him if he thinks their love can take them away together, and he replies, "I think our love can do anything we want it to." Noah's last words before falling asleep are "I'll be seeing you." 


The next morning, a nurse finds them in bed together, holding each other and discovers they died in the night.The next scene shows two birds flying together over the lake.

Amélie is a 2001 French film directed by Jean-Pierre Jeunet and starring Audrey Tautou. Its original French title is Le Fabuleux Destin d'Amélie Poulain which literally translates as "The Fabulous Destiny of Amélie Poulain"; poulain is French for foal.

Amélie Poulain, was a girl who grew up isolated from other children. Raphaël, her taciturn, antisocial ex-Army doctor father, mistakenly believes that she suffers from a heart condition (a mistake resulting from the increase in her heartbeat caused by the rare thrill of physical contact with her father, who only ever touches her during medical check-ups). Her mother Amandine, a neurotic schoolteacher with shaky nerves, sees to Amélie's education. 
Amandine dies when Amélie is young, the victim of a freak accident involving a suicidal Québécoise woman who throws herself off the top of Notre Dame Cathedral and lands on Amélie's mother. Raphaël withdraws even further as a result, and devotes his life to building a rather eccentric shrine in the garden to Amandine's memory, which houses her ashes. Left to amuse herself, Amélie develops an unusually active imagination.
As a young woman, Amélie is a waitress in a small Montmartre café, The Two Windmills, run by a former circus performer. The café is staffed and frequented by a gang of eccentrics. By age 23, life for Amélie is simple; having spurned romantic relationships following a few failed efforts, she has devoted herself to simple pleasures, such as dipping her hand into sacks of grain, cracking crème brûlée with a teaspoon, skipping stones across St. Martin's Canal, trying to guess how many couples in Paris are having an orgasm at one moment ("Fifteen!", she informs the camera correctly!), and letting her imagination roam free.


It tells the story of a shy waitress, played by Audrey Tautou, who decides to change the lives of those around her for the better, while struggling with her own isolation. The film was an international co-production between companies in France and Germany.

On August 31, 1997, Amélie, shocked upon hearing the news of Princess Diana's death on television, drops a bottle cap, which loosens a bathroom wall tile. Behind the loose tile, she finds an old metal box of childhood memorabilia hidden by a boy who lived in her apartment decades earlier. Fascinated by this find, she resolves to track down the now adult man who placed it there and return it to him, making a deal with herself in the process: if she finds him and it makes him happy, she will devote her life to bringing happiness to others.

Amélie meets her reclusive neighbour, Raymond Dufayel, a painter who continually repaints Luncheon of the Boating Party (Le Déjeuner des canotiers) by Pierre-Auguste Renoir. He is known as 'the Glass Man' because of his brittle bone condition. With his help, she tracks down the former occupant, and places the box in a phone booth, ringing the number as he passes to lure him there. Upon opening the box, the man, moved to tears, has an epiphany as long-forgotten childhood memories come flooding back. He then finds his way into the same bar as Amelie and vows to reconcile with his estranged family. On seeing the positive effect she had on him, she resolves from that moment on to do good in the lives of others.
Amélie becomes a secret matchmaker and guardian angel, executing complex but hidden schemes that impact the lives of those around her with subtle, arm's-length manipulation, leading to several sub-plots and episodes. She escorts a blind man to the Metro station, giving him a rich description of the street scenes he passes. She persuades her father to follow his dream of touring the world by stealing his garden gnome and having an air-hostess friend send pictures of it posing with landmarks from all over the world. She kindles a romance between a co-worker and one of the customers in the bar. She convinces the unhappy concierge of her building that the husband who abandoned her had in fact sent her a final reconciliatory love letter just before his death. She supports Lucien, the young man who works for Mr. Collignon, the bullying neighbourhood greengrocer; by playing practical jokes on Collignon, she undermines his confidence until he questions his own sanity.
However, while she is looking after others, Mr. Dufayel is observing her and begins a conversation with her about his painting. Although he has painted the same piece dozens of times, he has never quite captured the excluded look of the girl drinking a glass of water. They often discuss the meaning of this character, and although it is never explicitly stated, for Dufayel, she comes to represent Amélie and her lonely life. Through their discussions, Amélie is forced to examine her own life and her attraction to a stranger, a quirky young man who collects the discarded photographs of strangers from passport photo booths. When she accidentally bumps into him a second time and realizes she is smitten, she is fortunate to be on the scene to pick up his photo album when he drops it in the street. She discovers his name is Nino Quincampoix, and she plays a cat and mouse game with him around Paris before eventually anonymously returning his treasured album; however, she is too shy to actually approach him, and almost loses hope when, having finally attempted to orchestrate a proper meeting, she misinterprets events when he enters into a conversation with one of her co-workers. It takes Raymond Dufayel's insightful friendship to give her the courage to overcome her shyness and finally meet with Nino, and the two begin a relationship.